Thrash ‘til death demon boogie straight outta the Hutt!
Nazgul was a short-lived but ferocious force in New Zealand’s underground punk and metal scene, active from 1987 to 1989. Formed in February 1987 by Craig Gibson and David Clark, both veterans of the Hutt Valley anarcho-punk band Compos Mentis, Nazgul pushed beyond punk’s traditional confines, crafting a raw hybrid of hardcore and thrash that they dubbed “thrash ‘til death demon boogie.” The lineup was rounded out by Michelle Distortion and Wiggly Wayne on vocals, and Ted Toxic on bass.
The first whispers of the new band appeared in Divided We Fall zine in late 1986, shortly after Compos Mentis had split. Taking their name from the nine “Ringwraiths” in Tolkien’s Lord of the Rings, Nazgul embodied the darkness and fury of their namesakes, melding punk’s urgency with metal’s apocalyptic edge. Their songs, like “Nuclear Baby Mutants,” “Private War,” and “Masters,” delivered a potent mix of speed, rage, and dystopian imagery.
Musically, Nazgul drew inspiration from crossover and thrash pioneers such as D.R.I., Corrosion of Conformity, Concrete Sox, Damage, Venom, and G.A.S.H.. As David Clark explained in Anti-System zine, “We aren’t crossing over to metal, but trying to incorporate some of its energy, which seems to be lacking in what is often a punk straightjacket.” The result was what the band called “ultrafast thrash with jagged metal edges.”
Outside the band, Craig and Michelle ran the zine Divided We Fall, which released five issues between October 1986 and July 1987, while David published his own zine, Thrash ’Til Death. Craig also founded Out of Order Records, a DIY label/ disro dedicated to supporting the local punk scene. Its compilation “New Zealand” featured Nazgul’s blistering track “Private War,” which Antisystem praised for its unrelenting power:
“Right from the distorted intro, you know ‘Private War’ is going to be a meanblast… Michelle’s vocals add even more power to the mania! Fuck labelling this, it’s just epileptic fit inspiring, power and speed. Thrash ’til death? I’m in.”
Anti-System #10
Nazgul played around New Zealand between 1987 and 1988, sharing stages with bands like Microwave Babies, Acid Reign, Wazzo Ghoti, Number Nine, Casualty and Sticky Filth. Their 1987 12″ LP Good Demons, released on Out of Order, captured both their studio precision and live chaos. Side A was recorded at Frontier Studio on July 13, 1987, while Side B featured recordings from the “Breakout” gig on August 8, 1987 at Railway Hall.
Before fading out in 1989, Nazgul recorded seven unreleased songs for a follow-up album: “Trick or Treat,” “Lords of Mordor,” “Bloodlust,” “Tournament,” “Black Widow,” “Fear the Night,” and “Nightmare.”
| Origin | Stokes Valley, Wellington |
| Genre | metal, punk |
| Years Active | 1987 – 1988 |
| Labels | Out Of Order Records |
| Associated Acts | Compos Mentis Number Nine |
| Past Members | Craig Gibson (drums) David Clark (guitar) Michelle (vocals) Wayne (vocals) Ted (bass) |
Photos: Brenda Crooks
Releases
| Title | Date | Label | Type | Format |
|---|---|---|---|---|
| New Zealand | 1987, April/ May | Out Of Order Records | compilation | 7″ |
| Good Demons | 1987, Aug | Out Of Order Records | album | 12″ |


Timeline
1987, March 20, Lady Of The Rosary
Nazgul, Microwave Babies, Acid Reign
1987, March 29, Riddiford Gardens, Lower Hutt
1987, April 6, The Cricketers Arms

1987, April/ May, New Zealand

1987, July 18, Masterton
1987, August, Antisystem #10
Interview pages 16-20
1987, August 8, Railway Hall
1987, August, Good Demons

1987, September 11, Super Liquor Man
1987, November 22, The Cricketers Arms
1987, December 4, Westown Hall

1987, December 18?, Railway Hall
One Less Customer, Number Nine, Wazzo Ghoti, Nazgul
1988
1988, January 9, Simon Cottle’s house
Microwave Babies, Nazgul, One Less Customer, Acid Reign, Avil Retards, Wazzo Ghoti

1988, June 3-4, The Nerve Centre, Dunedin

1988, October 19, The Clarendon





















