The Wellington punk scene in 1989 was in a transitional and somewhat subdued phase, following the more energetic waves of the late 1970s and early-to-mid 1980s that had defined the city’s underground with bands like Wallsockets, Riot 111, and the emerging hardcore energy of groups such as Flesh D-Vice and Compos Mentis.
By this point, the scene had lost much of its earlier momentum. Zine production had largely dried up, with Anti-System remaining the primary (though sporadic) publication, releasing only two issues that year. The broader cultural zeitgeist in Wellington had shifted toward heavy metal’s growing influence (Guns and Roses played Mt Smart in December), leaving punk somewhat sidelined and less central to the city’s youth and alternative energy compared to the preceding years.
Live venues remained limited. The Clarendon served as the main regular pub option for punk and underground bands. Other spots like the Tramway Hotel (also known as The Adelaide) and Paisley Park in lower Taranaki Street occasionally hosted gigs, such as a Number Nine show in June.
Flesh D-Vice undertook a nationwide “Savage Truth” tour in April. They hit major centers as well as smaller provincial towns like Blackball on the West Coast, Timaru, and Nelson. Skapa, billed as Wellington’s first ska band, made their debut gig at the Londoners Club in January. Featuring Chas Mannel (formerly of early punk act Ambitious Vegetables from a decade earlier), they quickly carved out a niche in a scene craving fresh input amid waning energy from younger bands. T.A.B. stood out as one of the few other regularly gigging punk bands that year. Wazzo Ghoti released their debut album “Gone Ghoting!” in October on Skank Records, with a launch show at the James Cabaret in Hania Street. Number Nine played their final shows at The Clarendon on December 8 and 9 before disbanding.
Signs of experimentation hinted at future directions, with bands like Sperm Bank 5 (an evolution from the psychedelic pranksters in ?Fog, incorporating more sample-heavy and surreal elements) beginning to emerge, reflecting a move away from straight punk toward noise, avant-garde, or hybrid underground sounds.
Overall, 1989 felt like a quieter, consolidating year for Wellington punk – marked by persistence from veterans like Flesh D-Vice, a few new sparks (e.g., Skapa), album releases, and commemorations like Neil Roberts Day in Wanganui – but without the explosive growth of prior years.
January
- Jan, Londoner’s Club: Skapa
February
- Feb 1, Athletic Park: Jimmy Barnes, Iggy Pop, Choirboys, Knightshade
- Feb 24, Victoria University: Holiday Makers, Skapa
March
- March 18-19, The Clarendon: Bygone Era, Shihad
- March 25, The Clarendon: Anigma
April
- April 14-15, Turf Hotel (NEL): Flesh D-Vice
- April 16, Blackball Community Centre: Flesh D-Vice
- April 19, The Subway (CHCH): Flesh D-Vice
- April 20, The Terminus (TIM): Flesh D-Vice
- April 21-22, The Nerve Centre (DUN): Flesh D-Vice
- April 25, Super Liquorman (PNth): Flesh D-Vice
- April 26, Westown Motor Hotel, (NP): Flesh D-Vice
- April 27, Guru Hall (HAM): Flesh D-Vice
- April 28-29, Rising Sun (AK): Flesh D-Vice, Bygone Era
- April 30, Powerstation: Flesh D-Vice, Bygone Era, Casualty, The Warners, Shihad, The Osterburgs

May
- May 4, The Clarendon: Flesh D-Vice
- May 18, The Clarendon: TAB, Gorse
- May 26, The Terrace?: Skapa
June
- June 3, Paisley Park: Number Nine
- June 24, The Clarendon: Skapa
- June 28, TAB


August
- Aug: Anti-System #13
- Aug 18-19, Sammy’s (DUN): Skapa
- Aug 26, Tramway Hotel: Skapa
September
- Sept 1, Powerstation: PiL
October
- Oct 6, Wazzo Ghoti: Gone Ghoting
- Oct 6, James Cabaret: Wazzo Ghoti
- Oct 13-14, The Clarendon: Skapa
- Oct 28, The Gluepot: Skapa, Sperm Bank Five, Plymouth Fury’s
November
- Nov 18, Whanganui: Neil Roberts Day

December
- Dec: Anti-System #14
- Dec 8-9, The Clarendon: Number Nine (last shows)
- Dec 15-16, The Gluepot: Skapa, Cactus









